
By Employing Putin’s Alleged Daughter, Paris Gallery Sparks Debate Over Collective Responsibility
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Diverging Reports Breakdown
By Employing Putin’s Alleged Daughter, Paris Gallery Sparks Debate Over Collective Responsibility
Yelizaveta Rudnova, 22, is widely believed to be the same person as Luiza Rozova. Rozova is the daughter of Svetlana Krivonogikh, alleged to have had an affair with Putin. Neither Putin nor Rudnova have ever confirmed their alleged family ties. Gallery owners defend Rudnova’s presence on their staff, saying they do not investigate employees’ family backgrounds for legal and ethical reasons.. Exiled artist Slava PTRK is set to open his new solo exhibition on Russia’s protest movements in the next week at the L. Association gallery, one of the art spaces of L Association’S. Social media posts suggest that Rudnova is a follower of Vladimir Putin’s political party, the Communist Party of Russia (CPSI). The CPSI has denied that it has any political or social ties with the CSPI or any of its members, and has called for the CPSi to be banned from all political activity.
Dmitry Dolinsky (left) and Alexander Vishnevsky (right). Anastasia Tenisheva / MT
“This information is shocking, of course,” Dolinsky said in an interview with The Moscow Times. “But fundamentally, it doesn’t change anything. We work with a real person who behaves responsibly, expresses reasonable views and helps us support artists — including anti-war artists from Russia and artists from Ukraine.” Rudnova, who has been working with L Association for several months, has the same responsibilities “as any other assistant” and there had been no signs of “any inappropriate behavior,” they said. According to the gallery owners, she by all appearances lives like an ordinary person — commuting by metro to work, earning an intern’s salary and joining them through a placement program run by her university. Sources speaking to exiled Russian media described Rudnova as “a kind and bright person, always ready to help” and “a great colleague.” “There’s a presumption of innocence,” Dolinsky and Vishnevsky told The Moscow Times. “As for the moral aspect, we have no evidence or indication that she holds any pro-war, pro-Putin or anti-Ukrainian views.” “No one has presented any evidence that she is Putin’s daughter. Yet we are being criticized for not disclosing her personal data. By law, we are prohibited from doing so based solely on rumored kinship,” they said.
Yet, according to the gallery owners, Rudnova did not deny that her mother was Svetlana Krivonogikh. Russian investigative journalists in 2020 estimated Krivonogikh’s assets at around $100 million, including property she allegedly received from figures close to Putin as well as shares in Bank Rossiya. Krivonogikh was sanctioned by the U.K. in 2023. Despite the gallery’s firm defense of its actions, observers’ reactions have been mixed. Some expressed concern about the possible security risks for artists in exile, whose work would be illegal under Russian law, as well as the ethical risks for Ukrainian artists, whose country is the victim of Putin’s war. Others cautioned against speculation in the absence of evidence. Exiled anti-war Russian artist Slava PTRK is set to open his new solo exhibition on Russia’s protest movements in the 2010s next week at L Gallery, one of L Association’s art spaces.
Luiza Rozova. Social media
He told The Moscow Times that Rodionova’s disclosure had had no impact on his collaboration with the space. “I don’t know her [Rudnova’s] political views, but I do know that assistants at her level don’t influence who or what gets exhibited,” he said. Although he said he believes that background checks might be justified in order to work in opposition political groups or media, he questioned whether the same should apply to an art gallery in Paris. “I don’t think this is a sensitive issue for exiled artists,” Slava PTRK said. “Several of my friends told me they had heard the rumors and it didn’t affect their communication with Liza [Rudnova].” Pavel Otdelnov, an exiled artist based in London, shared a similar view. “It’s very important to distinguish between what a person is responsible for and what they’re not. No one can choose their parents…it makes more sense to judge people by their personal actions, not by who they’re related to. I wouldn’t base a decision to collaborate, or not collaborate, on that,” he told The Moscow Times when asked whether such reports would affect his potential collaboration with the art space.
Anastasia Tenisheva / MT