
Country diary: I prefer my farm gates to tell a story
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Diverging Reports Breakdown
Country diary: I prefer my farm gates to tell a story
Rack Hill is named from the practice of laying out drying cloth from the once-worked Long Dean mills. We grazed it years ago, but neglect has left it so overgrown that the new landowner is endeavouring to reclaim it with a flock of Soay sheep. Unless it rains, we’re about a week away from feeding hay to our cattle in a grass-growing season. It’s so much more than just a gate – an artefact, a record, a habitat. It connects me to things that the impermeability of metal precludes.
It’s called Rack Hill, named apparently from the practice of laying out drying cloth from the once-worked Long Dean mills. We grazed it years ago, but neglect has left it so overgrown that the new landowner is endeavouring to reclaim it with a flock of Soay sheep. Goat-like in looks and appetite, they’re tasked with restoring biodiversity to the monoculture of brambles. At least they’ve plenty to eat. Unless it rains, we’re about a week away from feeding hay to our cattle in a grass-growing season.
We’re halted by a 10ft barrier, livestock and pedestrian gates within one metal frame. Solid, manufactured to last, it’s the ultimate in farming utility – and I really don’t like it. The appearance, noise, handling – it’s soulless and abrasive.
By contrast, lying dumped in a wood across the valley, there’s an old wooden field gate, and now, as antidote, I go and seek it out. It rests among the wilted ground elder, dressed today with yellow strands of withered garlic like jaded tinsel. The left-hand side (but not the right) is softly mossed and there are three iron bolts down a central strut as neat as waistcoat buttons. I feel its nicks and dents, rough whorls and smoothly darkened grooves. There are blacksmith’s brackets, a reminder of a time when rural life sustained a multitude of trades. It’s so much more than just a gate – an artefact, a record, a habitat. It connects me to things that the impermeability of metal precludes.
I have always found its abandonment poignant: a careless forgetting of boots that scraped, stock that was surveyed and children who clambered. But I see now that it’s chained to a timber, and beside that is an end of what must have been a drystone wall. Not discarded then, but fallen. It seems a more honourable demise.